![]() Home | Product Reviews | Tips & Techniques | Tutorials | Newbie Center | Galleries | Links | New Art | My Art Studio Interesting Ideas | Guestbook | Humorous Hues | Web Design Services | Items for Sale | Family | Email Me Collage Sue Drake c-s-drake@worldnet.att.net Since I also have a Giant Hoard of exotic threads & fibers-Balger metallics, Watercolours overdyed cottons and silks, Rainbow Gallery rayon & nylon ribbons, etc., I've been playing with them, too. They look really nice draped & glued on top of a collage piece or wrapped/coiled to form a loose `nest' effect, but I'm working on using them with the canvas-withdrawing some of the canvas threads (tedious, but worth it, IMHO) and replacing some by `re-weaving' the empty areas with the specialty threads. Of course, just leaving the empty areas alone makes neat textures, too. A 4" square of canvas done this way can be cut up further-into four (or more) smaller squares/rectangles to be scattered on the piece, or from corner-to-corner, giving four triangles. These can be used as-is, or cut again into smaller triangles, which I think look pretty cool as corner-mounts for the stamped image (like those little photo-mount guys). I'm sure there are all kinds of other ways to use these materials that I just haven't come across yet! The main drawback to using these materials is that they are expensive and most of them are specialty items-available in good needlework shops rather than general craft stores. That said, I don't see why fabrics like burlap or some of the larger-count cross-stitch fabrics wouldn't work in a similar way, and those are often much more available. (NOTE: if you want to try withdrawing fabric threads, you must use a fabric that is a mono weave-one thread over one thread [or two over two, such as 22-count Hardanger fabric] -- Aida cloth is an interlocking weave and will not work!) As far as the fancy threads go-if there is a quilting or fabric store nearby, check out the threads on spools that are intended for use in a serger. There is a wonderful metallic called `Candlelight' that is soft and easy to work with and comes in great colors-and there's a lot on the spool, so it's much cheaper than a lot of the stuff intended for hand embroidery! Plain pearl cottons are readily available in lots of lovely colors, too-poke around in fabric and notions departments and see what you can find.
Kari jimkari@ptialaska.net
Another thing to think about with collage is color. Very simple concept but many people look at their collages and think, "it needs something". If you have a color wheel, this can help immensely. It really does make a difference when you put some colors with other colors!! One more thing, don't be afraid to layer!!!! Instead of putting things right next to each other, why not layer them just a little, overlap them and see what else you can do. Kathleen Lloyd klloyd@logicsouth.com
Reading the vacation collage tips reminded me-I just mailed a collage memory book as a thank you gift after spending several weeks in a friend's home. This is a concertina book, about 4.5" x 4.5". The front and back were covered with wallpaper scraps from my friend's dining room. (I helped her choose the paper while I was visiting.) The book is filled with stamped and "found" things. I stamped images of her cats, tea cups, friendship verses, lots of of food and homey things, and on and on! I dry embossed a frame and centered a verse in it and I used a scanned picture of her home -- (but before I got a scanner, I took lots of photos to a copy store and had them color copied for my books and cards. Several photos fit on one page, so there isn't much expense involved.) This is difficult to explain, but the last two pages of this concertina book don't fan out the way the others do. These two were added in and glued to the back of the last fan fold concertina page. The last two pages are a computer printed list of memories. . . just a list of words or phrases-in a small, pretty font-to bring back to mind the things we did -- I repeated "Linda goes to the grocery store" several times-this is sure to get a laugh as she makes 6 trips a week. Likewise with "Karen exercises," since Karen exercises at least a couple of hours every day and don't I wish I enjoyed it that much! I enjoy making little collage concertina books, but finding long paper for the fan folded pages was a problem. I found another use for wallpaper samples: I cut it the size I want then stamp and paste on the plain side! Thus far, I've had no problem stamping directly on the untreated plain side of the wallpaper. Occasionally a sample is difficult to work with because there is printing on the back. I cut my strip so as to eliminate as much of the print as possible, the glue collage images, pretty papers, stamps, ticket stubs, etc. over the print.
LasImpPan LasImpPan@aol.com
When most of you do collage do you seal the "masterpiece" or do you leave it in it's natural state. I was reading in one place and it sounded like they almost made it into a decoupage. Any good ideas on this Kari jimkari@ptialaska.net
I think you can do it either way. It would depend on the collage. If everything is flat, you could but lots of collages have something 3D about it. I sometimes like to put a layer of UTEE on the flat parts. Only one layer gives it that bumpy look and adds dimension. But like I said, it depends on the collage. Kinga Britschgi maci@cyberhighway.net
If you have messed up pieces that you usually throw out, do not do that anymore! You can use part of those misstamped or blurring images / cards for making a collage (sometimes the mistakes just make the final piece much more interesting!). Also, whenever I stamp on a scrap paper for any reason (practice with my new stamp, want to try out different colors or alignment, etc) I always keep these pieces. They are in a big basket (intentionally just thrown in) and when I need an idea, I go through the basket and use something from it. BTW, that basket has some strange content as well... If you are in collage, try to look at every single scrap or other paper / non-paper product in a I-might-be-able-to-use-it eye and just toss it into the collage-basket / box (you want to have a bigger container soon, you'll see!). It is an endless source of inspiration.. When You get overwhelmed (or your container is totally full, go through the stuff: discard the ones that you don't like at that moment - don't worry, you won't need them! - and at the same time, you'll discover long forgotten pieces that you might want to use right away!) Let's see some of the things I have in my basket, just to give you ideas: nice wine /beer bottle labels coin wrapping paper pieces (the one you get when you ask for change; or you use if you roll up coins interesting clothes labels, textile ones from the neck part gold metallic wine bottle-neck wrapper; it is embossed on the top foreign currency (bills and coins) candy wrappers (I used the chocolate US coin wrappers several times in my 4th of July theme and other Americana topic with big success....) nice paper clothes labels (the price tags) paper napkin pieces plane tickets, other admission tickets pieces of a wide variety of wrapping stuff:not just wrapping paper; I also have pieces of cardboard boxes, corrugated boxes, etc with interesting printing / pictures seeds hardware netting zillions of junk-mail clippings (interesting picture or typeface) Another tip: in garage sales, your public library's annual sale (if they have) you can come across a lot of fantastic things to use in a collage: many oldish art books, pictures of the year type books, etc that you are not sorry to cut up, also: sheet music, foreign language books (I just bought a bunch of oriental language booklets; I can't wait to use them). Ask your relatives and friends not to throw out anything and set up a junk-box for you; time to time you go through their stuff and decide what to keep. Oh, geee, and it is just more or less the paper-like stuff... Just wait till I get into the 3D type of things... :) If you want to use acidic paper in your collage but still want it to last longer here is a way how (I learned this tip from Nita Leland and Virginia Lee Williams). You will need acrylic gloss medium and matte medium / varnish (can be found it in art supply stores under different brand names like Liquitex). Coat both sides of the acidic scraps with gloss medium. Let it dry thoroughly. As the gloss medium is shiny you can cut down the glare by brushing matte medium / varnish over it. (It is recommended anyway if: you want to photocopy your artwork or you want an extra protection.) For brushing use synthetic brushes.
Sheryl Davis postoids@artlover.com
Website #1: MY POSTOIDS http://www.inknrubber.com Website #2: HOW-TO PAGES http://www.gcinet.com/users/a/angelheart/ For me, the most enticing thing about doing or viewing a collage is the texture and dimensional quality. I really don't cover the back of any item with glue, so it would lay completely flat. My rule is: there are no rules... Okay, on the 8-1/2" X 11" collage I'm doing, I did completely adhere a background of neat textured wallpaper to a wood base. I folded the edges over to the back and also stuck those down, but that's all. Pretty color and texture, a good solid base on which to work. Next, I smeared Encore Metallics (green & purple) over a piece of gauze, then dipped the gauze in some (Matte) Mod Podge and squeezed out the excess. I smoothed out the gauze, but then scrunched it up here and there for an uneven weave/rumpled look. Left it to dry on a piece of plastic wrap I'd stretched out on the kitchen counter. Next morning, I securely spot-glued it down to my wallpaper background and then just started to play! :) The elements I add to this rough background are attached with a few small dabs of (Aleene's Designer Tacky) glue. I use no more than needed to hold them exactly in place, but, they are not apt to fall off. This allows me to have areas where I can still tuck in interesting items under the loose edges here and there. Terrie terrie2@gte.net
My personal favorites for delicate `stuff' is Aleenes tacky glue or YES glue which I can put on as little or as much as I wish. BRUSHCPA@aol.com
I'm working on some new collage cards that I want to use parts of paper doily, and lace on. What do most people do to attach these? My dry adhesive comes through and bits of lint, etc. adhere. I've tried the "blue" Elmer's stick craft glue, but found that it doesn't go on real nicely-big clumps. I tried spray adhesive but the parts are so small that they get overly saturated. |